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Created by Julia Stewart on Thu 14 of Jan., 2010 16:58 EST
Last post Thu 04 of Feb., 2010 17:16 EST
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By Julia Stewart on Thu 04 of Feb., 2010 17:16 EST
While more and more jam bands and DJs' have been adding sunshine-state dates to their touring routes in recent years, there is still one thing that keeps all of us headies pinching pennies all year long. It's called festival season. Just as Elmer Fudd waited all gosh-darned year for those pesky wabbits, as do crunchies await the coveted festival season. With spring and summer rapidly approaching, festival gurus are perched with eyes and ears open awaiting for line-ups to be announced in order to decide which hurrahs to hit up in 2010

Perhaps you're glued to Pitchfork, Jambase, REAX or other musical outlets all day like I am, or perhaps you actually have a life and are too busy living it to stare at a computer screen all day. Whatever your situation is, hopefully you can find this little guide helpful when choosing which spring and summer festies to hit up in this season. There's a shit ton of them, do your research and choose wisely.

The big debate for spring time in Florida seems to be between Ultra Music Festival in Miami and the Wanee Music Festival in Live Oak. Both excellent festivals. Ultra, taking place in Miami on March 26 and 27, as part of the Winter Music Conference, has become the southern-most mecca of the electronic scene. With headliners this year such as Tiesto, Deadmau5, Crystal Method, Disco Biscuits and Lotus, the line-up is the most eclectic yet. The DJ oriented festival has been adding more and more diverse musicians in recent years, broadening their audience ten-fold, there were over 85,000 people at last year's fest. It's a fantastic festival. However, one thing to consider is that most Ultra sets, minus a few headliners, are only about 45 minute long. As sick as the lineup is, 45 minutes is simply NOT long enough to see bands like Disco Biscuits and Lotus. Those dudes sell out three and four night runs at Red Rocks. Forty-five minutes can't do them justice. Also, Ultra is a no-camping festival. Hotels in Miami don't run cheap but if you book early you can find some decent deals. The plus side to South Beach is that even if you don't buy a ticket to the actual festival at Bicentennial park, there are dozens of after shows to chose from that provide late night house, drum and base and every other form of electronic, into all hours of the night. A lot of them are even free. If you can manage not to try and act like a complete baller, which is hard to do in Miami whether you're Joe the fuckin' Plumber or Tiesto himself, then the trip can actually be done relatively cheap. Check out http://www.ultramusicfestival.com/ for the full lineup and a lowdown on late-night, ragers in the city.

Now on to Wanee, April 16 and 17. The Wanee Music Festival, held at the good old Suwanee Music Park in Live Oak, has the most incredible lineup it has ever billed. It's possibly the best line-up to ever grace the Florida music park in history. The brainchild of the Allman Brothers, Wanee is a straight up jam-band, get down down by the river. The festival, which has been moved back to April after being held in June in 2009, is one of the biggest events of the year at Suwanee. This year Wanee will be host to two nights of the Allman Brothers as well as two nights of Widespread Panic and also Gov't Mule. Panic at the Sunwanee Music Park is pretty epic, and should provide for the festival's best attendance to date. A seemingly never-ending list of amazing musicians grace the rest of the bill including regulars like Derek Trucks and Susan Tedeschi as well as new additions such as George Clinton and the P Funk and The Black Keys. It's undeniable that a weekend of camping by the Suwanee will be loads cheaper then a weekend in Miami. The weather in April at Suwanee is usually sunshine filled and beautiful, which provides for a great weekend of camping out with friends. Although this year's line-up will most likely find the biggest attendance ever at a Wanee Festival (seriously 2 nights of Panic is a huge deal for the fest) the vibe at Suwanee Music park always seems to be relaxed, friendly and down-home good times no matter how many people are there. The list goes on and on of amazing musicians on the bill, check out the whole line-up at http://www.waneefestival.com/

So if you're trying to keep the festival budget low this season, maybe opt for Wanee instead of Ultra. Bring a cooler of beer and food for the weekend and whatever other poisons you chose and it can be a very inexpensive weekend, filled with absolutely amazing music. Tip of the day, BEWARE of under-covers at Suwanee Music Park. In recent years arrests have significantly increased, probably as an attempt to gain some much needed county money in Live oak, FL. It may seem like no big deal to light up a doobie by your campsite but don't get yourself caught. A cheap weekend can turn very expensive if you find yourself sitting in the Suwanee County jail over night.

The end of spring and into summer, brings us into some of the more long running and corporate festivals. Southern headies will travel by plane, train and VW to hit up festivals from one coast of the country to the other. There are about a million great ones to chose from depending on your musical preference and proficiency to rage. If you haven't already heard about Rothbury being cancelled then you probably don't give a shit about the scene anyway. A statement release on their website proclaimed that various artists recording and touring schedules made it too difficult to lock down the line-up. However, the festival put on by Madison House Inc. and AEG, is vowed to be brought back next year. With Rothbury out, granola-crunchers across the country are finding themselves having to decide which festie to opt for in its place.

Of the line-ups officially announced, the pot is looking pretty nice of bills to choose from. Coachella, which is held in Indio, California from April 16-18, has a pretty ridiculous line-up this year. From Jay-Z and LCD Soundsystem to Gorillaz and a solo Thom Yorke set. The long trek to California would be worth it for this festival, if you just happen to have a stack of money laying around. Tax returns anyone? Anyone?

The Summer Camp line-up is also shaping up nicely and is not even complete yet. Held in Chillicothe, Illinois from May 28 to 30, the festival has already announced 3 days of moe. and Umphreys McGee, plus sets by STS9, Yonder Mountain, Avett Brothers, Keller Williams, Bassnectar, EOTO and tons of others. A 3 day advance ticket will put you out $150 plus the cost of travel to Illinois, but the festival has gained a great rep over the last few years and is sure to not disappoint. Check out the entire line-up and more at http://www.summercampfestival.com/2010/

Wakarusa, held from June 3-6, at Mulberry Mountain in Ozark, Arkansas, is the prefect summertime, mid-west retreat for the all-genre loving, festival enthusiast. The line-up has STS9 and Disco Biscuits headlining and is sure to bring the heat. With STS9 seeming to be headed at least a little bit back to their roots, with sets like the Axe the Cables over New Years, hopefully Wakarusa will find them playing to please more then just the candy ravers and sneaker-heads. Add in the Disco biscuits, Lotus, Tea Leaf Green, EOTO, Dumpstaphunk and dozens of other amazing, eclectic musicians and you've got yourself a pretty nice little, heady salad going on. Tickets, in their second tier, are currently $129 and a scenic road trip through the mid-west with some friends is not only affordable, but can be a rootin'-tootin', good time. Complete line-up and tickets available at http://www.wakarusa.com/


There are dozens of other amazing spring and summer festivals to choose from. If you're fortunate you can do them all. If you're like most of us, you find yourself scowling over having to pick a just a couple of festivals to fit into your seasonal budget. The fact is, you just can't win em' all. Among credited festivals that have not announced 2010 line-ups yet are All Good in West Virgina, and Bonnaroo in Tennessee. The Roo's line-up has gotten a little more outlandish with every year and although it it in fact a corporate, Juggernaut of a festival, it is not to be dismissed. The Roo is hands down a kick-ass festival. It's line-up is always ridiculous, the festival runs as smooth as organic peanut butter and rumors swarming around it this year are nasty. I mean the kind of nasty that provides for melting faces at Centeroo, not the kind that 6th grade girls spread around gym class. The official line-up will be announced next week, but according to Pitchfork, thus far talks for headliners include The Rolling Stones, Bob Dylan and Jay Z. Pitchfork also released an interview with the Flaming Lips stating that they are set to perform "Dark Side of the Moon" in it's entirety at the Roo this year. If you've ever seen a Flaming Lips show then you can only imagine what this set will look like. Faces, skies, stages and confetti will be melting, count me in.

Whatever festivals you choose this season be safe, be yourself and be kind. Whether it's your first festival experience or you're a seasoned vet, rock that shit out to the fullest. Also, remember that in this day and age there's no such thing as "what happens at a festival, stays at a festival." Don't be the crazy hippie that eats too many scooby snacks and strips down naked on the main stage. You will surely be a You-Tube sensation the next day, count on it.
By Julia Stewart on Thu 14 of Jan., 2010 17:04 EST
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12/28


Patchouli wafted through Miami like gale force winds as hippies invaded the city to close out the last four nights of 2009 with a Phish NYE run.
Travelers hoping to enjoy a nice, relaxing holiday with their families in
South Beach came to a rude awakening when phans from across the country gathered for the holy grail of headidum.

When someone burned me the Billy Breathes album a few years back, I despaired over the fact that I would most likely never get to see this band live. Well, after six years Trey finally got his shit together and reunited with his phamily, sounding more polished and stronger than ever. With a new studio album and a recent series of sold out shows including three nights in Hampton, Red Rocks and the Gorge, Phish is on fire.

Headies rejoiced when the world's biggest jam band announced they would be returning to Miami for an NYE run to close out the decade. From the lot to nitrous hill to kick-ass after shows, a Phish run is more then just a show. It is the ultimate crunchy experience. I've done a ton of the corporate festivals (Suwanee is a place I visit multiple times a year), but nothing could have prepared me for this. Bottom line, Phish studio albums don't have shit on a live show, they just don't.

The guys opened up night one with "Sample in a Jar" from the album Hoist. The first set started off mildly with a comparable mix of old and new songs, ending with a riveting improvisational "Possum" that set the American Airlines Arena off.

During the second set the guys stepped it up a notch as they busted out classics like "Mike's Song" and "Contact" as well as new favorites such as "Light." As a whole though, they kept it relatively mild the first night and the sets were only a prelude to the nastiness to come.

The fabulous array of after-shows to choose from kept Miami bumpin' until the wee hours of the morning. Post show dread heads clad with glow sticks and balloons poured out into the streets in search of some get down, after party debauchery. We headed to Tobacco Road to see the Ft. Lauderdale local Heavy Pets. Their tight-nit, rock, funk fusion was a perfect way to close out the first night of the run; those guys wail.

Set I:

Sample in a Jar, NICU, My Soul, Roggae, Undermind, Bouncing Around
The Room, Poor Heart, Stash, I Didn't Know, Beauty Of A Broken Heart,
Possum

Set II:

Mike's Song > Light > I Am Hydrogen > Weekapaug Groove, Alaska,
Backwards Down the Number Line, Makisupa Policeman > Harry Hood > Contact, Character Zero
E: First Tube

12/29


In true progressive fashion, night two of Phish was even more ridiculous than the first. Set one busted out stops such as "Golgi Apparatus," "Maze" and "Wolfman's Brother." However, set two of night two was undeniably one of the best sets of the run. Page was on point, Mike was flawless, Fishman didn't skip a beat and Trey absolutely shredded phan favorites during this spectacular performance. During a seemingly never-ending, flawless improv
jam the guys played "Tweezer" straight into "Prince Caspian." Then "Gotta Jibboo" flowed right into "Wilson," then returned to "Gotta Jibboo" into "Heavy Things." It got pretty ridiculous. An encore of "Sleeping Monkey" back into "Tweezer Reprise" was a face-melting, worthy jam. I looked over to my left and saw an older woman slow clapping and sobbing. Even the worst of Phish haters (and I now you're out there) couldn't deny that the performance was fucking sick.

After I scraped my brain up off my seat and my jaw off the floor, I ventured out with some friends to the White Room to see a kick-ass, late night set by Boombox. The packed out White Room was poppin' off while the Alabama based, DJ/producer duo spun an eclectic mix of rock, house and psychedelic until 6 am. Only post Phish in Miami is it acceptable to rock your blue blockers on the dance floor until 6 in the morning. Those lights will get ya man.

Set I:

Golgi Apparatus, Maze, Driver, The Connection, Wolfman's Brother, Ocelot, Reba, Access Me, The Divided Sky, Cavern
Set II: Kill Devil Falls, Tweezer* > Prince Caspian, Gotta Jibboo > Wilson Gotta Jibboo > Heavy Things > Also Sprach Zarathustra, Slave to the Traffic Light
E: Sleeping Monkey, Tweezer Reprise

12/30


While my first Phish experience was only scheduled for the first two nights of the run, I decided around 6 am on Wednesday that this simply had to go another day. After about an hour on the phone canceling my train that was scheduled to leave in a couple hours, I was all set for my third night of Phish. I spent $50 on a ticket in the upper tier. Not the best view, but plenty of dancing room for what turned out to be one of the sickest sets I have ever seen, hands down. Previously empty seats were filled by night three and the arena full of sprightly phans young and old. The energy was immeasurable.

With two nights down, night three found the guys FULLY back in the swing of things.  For the non-believers it sounds ridiculous, but by night three of the run I finally understood why this band is the greatest jam band of our generation. They make magic. They created a new generation of free spirited music lovers who come together and stand united like no other genre of music can. Phish is not just a show; it's the holy grail of the heady experience.

Set one opened up with "Soul Shakedown Party" and set the bar for the night. The rules were out the window by this point. The madness to ensue included one of the most eclectic set lists in Phish history (so I was told by my veteran Phish phriends.) Halfway through the set a playful Fishman announced that he needed a little help performing the "Vacuum" solo. The crowd erupted when Fishman pulled out of the crowd a young fellow named Rick wearing a shirt identical to his own.  Not only is Rick's life undoubtedly changed for ever, but he also killed that "Vacuum" solo. He now has the single most bad-ass story ever to tell his friends. Way to go Rick, kudos to you buddy. The first set busted out stops like "Jesus Just Left Chicago," "What's the Use?" and the always crowd favorite "Tela." I couldn't have prepared myself if I tried for the set to come. It would prove to be the single most amazing show I have ever seen in my life, period.

Set two just happened to contain my personal mental set list that I wanted to hear. I called it the night before when I canceled my train back to Tampa in the midst of a debauchery filled all nighter (sorry mom). I knew if I stayed another night they would play a train song, and they sure as shit did. Trey came out with "Get Back on the Train" a few songs into the set and my trip was complete (both trips for that matter.)  Whether you're an experienced vet or this was your first run, such as myself, the second set brought about a whirlwind of emotions that at times was utterly overwhelming.

"Get Back on the Train" flowed into the beautiful ballad, "Wading in a Velvet Sea”, and the crowd lost it. With eyes closed and overwhelming joy running rampant, the feeling only strengthened as the guys went into "Free." Trey's guitar sang, Gordon was killing it. The music seemed to take on its own form of interpretive dance and float throughout the arena, giving every patron their own personal hug… at least that's what I felt. The set closer, which happens to be one of my favorites, brought me back to earth and set it off.  Balls to the wall, silly ass dancing is perhaps my favorite thing to do in life, and when they closed out with "Run like an Antelope" I did just that. After the set encore "Frankenstien" I couldn't even speak. I sat back down in my chair and tried to get a grip on the monumental week of music I had just experienced. It was life changing.

Three nights into the run Phish had officially made Miami its bitch and we were absolute putty in their hands. As much as I wanted to stay another day, I found solace in my last night in Miami having just witnessed the set that I did. Magical is the only word to describe it. After a quick visit to Phish out hill, I laid in the grass with my shiny red balloon and sat there for quite some time recapping the magic I just saw. I conquered my first Phish run; in fact, I made it my bitch, to say the least.

Determined to keep the rage going on my last night, I piled in a cab with some phriends and headed to the Vagabond for what became one of my favorite shows of 2009. Old school jammers Particle provided a funk-filled, dance-all night get down until 5:30 am. Eoto was playing to a sold out crowd just a few doors down which I'm sure was also stellar. However, nothing paired more perfectly with the greatest jam band of all time than closing out my trip with a late night Particle set. Those guys are on point.

On the walk back to my hotel my shit eating grin was cheesier then ever. For me, my first Phish experience can only be summed up as Epic. Earlier that night I had a conversation with a phriend about life. One of those spun-out rants that you think is super intellectual at the time. We decided that you either get "IT" or you don't. As I looked around downtown Miami I felt it. These people get it, Phish gets it… what other group of people comes together like this? I spent the last $30 to my name on a concert tee that day. My lovely phriends who happen to be seasoned vets at this game said that I earned it. That shirt is my trophy, I earned it fair and square. It's more than just a tee shirt, it's a representation of this incredibly unique and wonderfully phantastic lifestyle.

Set I:

Soul Shakedown Party, Runaway Jim, Jesus Just Left Chicago, Dixie
Cannonball*, Stealing Time From the Faulty Plan, Corrina, What's the Use?, Tela, Gone**, Rocky Top, Chalk Dust Torture, David Bowie

Set II:

Sand, The Curtain With, Lifeboy, Get Back on the Train*** > Wading
in the Velvet Sea, Hold Your Head Up > Love You**** > Hold Your Head Up, Free, Boogie On Reggae Woman, Run Like an Antelope
E: Frankenstein*****

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